US Reviews

Spanning Gladstone Gallery and Sprüth Magers in New York, the conceptual artist’s doubleheader revisits and remixes old work

At Tanya Bonakdar Gallery, New York, the artist’s latest exhibition posits a new method for performing

As the US administration withdraws LGBTQ+ resources, a show at the Tang Teaching Museum, Saratoga Springs, celebrates queer lives

The Coachella Valley biennial toes a line between social-media shareability and thoughtful reflection on local histories of landscape

At Soft Network, New York, a show of the East Village artist’s photographs and archival materials paints a picture of her queer community

At MoMA, New York, a gripping retrospective traces decades of the artist’s experimentation with the medium

At Templon Gallery, New York, the artist’s pointilist canvases probe the politics of legibility and identity

Building on his presentation at the Venice Biennale, the artist’s show at The Bell, Providence reflects on diasporic wisdoms

At BANK NYC, the show is most effective when it engages with haptics at a distance

At Fraenkel Gallery, San Francisco, a show of abandoned projects sees the artist contemplating endings

Overtaking two of Matthews Marks Gallery’s New York locations, her installations explode stale hierarchies of taste

In her exhibition at Management, New York, the artist presents a dissolving model city with an uncertain afterlife

At Museo de Arte Moderno de Buenos Aires, a significant survey by the artist charts her ongoing experiments in gestural and accumulative brushstrokes

The artist’s minimalist interventions at Tanya Bonakdar Gallery, Los Angeles, grapple with absence, erasure and exile

At the Whitney Museum of American Art, New York, the artist explores the unique qualities of ASL through drawing, video and sculpture

Riffing on a technology trade fair, the artist’s show at Reena Spaulings Fine Art, New York, suggests that what’s onscreen doesn’t matter

A retrospective at Carnegie Museum of Art, Pittsburgh, traces the artist’s insistent, strange and utterly distinct iconography across three decades

The meeting of environment and technology is front and centre in the Californian artist’s retrospective at Institute of Contemporary Art, Philadelphia

At Seattle Art Museum, the artist uses redaction and erasure to reflect the ways in which language can be reborn

A tight retrospective at White Cube, New York, transcends and mystifies in equal measure